Tim Burton Great Director profile Senses of Cinema. Timothy William Burtonb. August 2. 5, 1. 95. Burbank, USAfilmographybibliographyweb resources. A lot of things you see as a child remain with youyou spend a lot of your life trying to recapture the experience. Tim Burton 1A dark and misty night begins once again. The giant monolithic building towers above the rest of the city calling on the end of another day. A tall dark and mysterious figure stands with his back to the wall. Black leather clings to his arms two large black boots hang on his feet. He is alone. No one knows his name no one knows how he feels inside no one cares for him. Society has thrown him aside. He can never again be one of them. This is the world of Timothy William Burton. In the recent history of film, few people have actually created something so original that it could affect the whole industry. Tim Burton has produced an outstanding amount of films that bring up the question, is Burton one of these people Could he just be an average, if off centre, filmmaker who has managed to convince everyone he is great, or is he the brilliant visual artist who uses his talents to create great movies Born in Burbank, California, Burton is, quite literally, a child of Hollywoodalbeit a child who was considered by those around him, and by himself, a misfit who spent his days feeding on a steady diet of horror and science fiction. I grew up watching things like The Brain that Wouldnt Die on Saturday afternoon television. Theres a guy with his arm ripped off and blood smeared all over the wallI never saw it as negative. I find that stuff, when its not rooted in reality, to be cathartic. In a typical suburbanised area in Hollywood, this was, not surprisingly, considered strange behaviour. And so it is this sense of the eccentric, the outsider, which permeates all of Burtons work. It was this environment which fostered the rampant imaginativeness that would later become his trademark. Ground out of most of us by adulthood, in Burton it nurtured a world of dark daydream and bright pastel nightmarea world that we can glimpse in his films. Before long young Burton was making horror films with a Super 8 camera, but he felt more like an artist than a filmmaker. The World Of Stainboy The Movie High Quality ' title='The World Of Stainboy The Movie High Quality ' />Teachit favourite resources an archive of editors wisdom and resource recommendations. Our trusty library editors and guest editors have been called upon in the. Watch 1,150 quality movies online. Includes classics, indies, film noir, documentaries showcasing the talent of our greatest actors, actresses and directors. He began drawing at an early age, but, it wasnt until he has spent some time at California Institute of the Arts, that he was given an opportunity that would change his life. Disney, after seeing Burtons artwork, hired him immediately. Amazingly, they didnt even have a job that specifically fit what he could do. He was hired on the basis that if Disney didnt hire him, someone else would. Long and tedious hours were burned away as Burton worked continuously on creating ideas for Disney. What he came up with wasnt exactly what Disney had hoped for. He developed two shorts, Vincent 1. Frankenweenie 1. Timothy William Burton b. August 25, 1958, Burbank, USA filmography bibliography web resources A lot of things you see as a child remain with youyou spend a lot of. The first film was a claymation tribute to his idol Vincent Price. Although not the most publicised film from the Disney Studios, its certainly the most unusual. The combination of bizarre characters and the constantly shifting expressionist backgrounds produced a film that may best be described as The Cabinet of Dr Caligari meet Ray Harryhausen. The second short was about a boy and his dog. The dog is killed in a car crash, so the boy begins experiments to bring his dog back to life. This Frankenstein inspired featurette is actually semi autobiographical in nature, Burton having been left traumatised by the death of his pet as a youngster. Both films are drenched in the atmosphere of the old Hollywood horror films, and were equally influenced by the sensitive expressionism of James Whale. They both received an extremely limited release as Disney, following bemused responses from test screenings, did not really know what to do with them. It wasnt long however before Burton received his first movie deal, working on Pee Wees Big Adventure 1. An infectious, intricately designed road movie built around TV personality Pee Wee Herman, it received poor reviews, but with its chaotic and absurd comedic elements it made audiences giggle enough to make a good deal of money. Free Postman Pat: The Movie Online. This commercial success gave Burton a little more freedom in his selection of screenplays. He finally opted for Beetlejuice 1. Despite a lukewarm response, Beetlejuice became one of 1. Burtons exuberant mix of slapstick horror and social satire, and in no small measure due to Michael Keatons wonderfully childish performance. The following year Burton made his most financially successful, and arguably least personal, film Batman 1. As blockbusters go, its still pretty good, even with its many flaws. Taking its main influence from the comic book Batman The. Dark Knight Returns, the film brings the dark power and gothic mystery back to the Caped Crusader. Batman represents the outsider in the storyhe is a man who, after watching his parents murder, has separated himself from society and is dedicated to single handily stopping the criminals of the city. Even in his normal guise as Bruce Wayne, he is presented as a person detached from the rest of society. Burton was allowed freedom in the set design to create a world that is visually stunning. He uses the tall, dark gothic architecture to draw the viewer into the dark world of crime and vengeance in which Batman resides. Batman is going to make sure that what happened to him will never happen to anyone else, and Burton heavily uses specific colours in the lighting to affect the moodgiving the film a comic book feel that is now used in many popular movies of similar genre, most recently Daredevil Mark Steven Johnson, 2. The dark world, or society that plagues the streets, represents something that the average viewer can relate to. Burton used his creative and artistic abilities to draw the viewers into the film. It is not surprising that even though Burton was restricted in his characters and plot line, his visual interpretation of a comic book has set a standard in the industry for what a good comic book flick should be. Burton went onto direct a Batman sequel for Warner, on the condition that he would have complete creative control over the entire production. Batman Returns 1. The film itself is a worthy extension of the first offeringdispensing with realism and aspiring to animation, to the freedom of idea and image, which Burton would later explore fully in Tim Burtons. The Nightmare Before Christmas 1. Edward Scissorhands 1. It is in many ways the masterpiece in Burtons opus. The disparity between Burtons horror movie sensibilities and his mundane suburban upbringing in Burbank is conveyed in one of Scissorhands earliest and most audacious sight gags Dianne Wiest, in a hilarious turn as a plucky suburban housewife Peg, is doing what the pre feminist housewives of Burtons childhood might have done on a sunny Burbank afternoon selling Avon cosmetics door to door. Shes not having much luck, but there is that one last house on a craggy hilltopa house that might have come straight out of Roger Cormans The Pit and the Pendulum 1. Victorian manor, glowering inexplicably down on the otherwise picture perfect streets. Inside the old mansion lives an odd boy with no handsEdward Johnny Depp. As Edward walks out of the shadows Peg, seeing his scissorhands and scarred face, recoils in shock. But upon hearing Edwards childlike voice pleading with her not to go, Peg does what any caring Avon seller would doshe applies Avonmuch to the bemusement of Edward and to the amusement of the audience. This initial awkward encounter is a precursor to the entire fish out of water narrative of the film. Significantly, Pegs failure to cure Edwards scars can be seen as a bittersweet foreshadowing of her inability to cure Edward of his status as outsider by taking him into townwhere Peg sees a harmless little boy with no hands and facial scars, the rest of the town see a freak with scissorhands.