Movies On Dvd Bambi II

Movies On Dvd Bambi II

Movies On Dvd Bambi II Rating: 4,1/5 5993votes

Popular Seventies Movies A E presents. Popular Seventies Movies A EDrama, 1. USA, R,  12 4 star rating systemKevin Hooks, Irene Cara, Robert Hooks, Ernestine Jackson, Jose Feliciano, Walt Frazier, Moses Gunn. Directed by Gordon Parks Jr. An updating of the Romeo and Juliet plot, filmed and set in New York City with a pre Fame Irene Cara in the Juliet role. Free Download Rats Of NIMH Movie there. Unfortunately, director Parkes didnt seem to believe that a movie for black audiences could succeed without large doses of violence, so there is also a major subplot involving some of the seedier aspects of street life. The result is an uneven mixture of comedy, romance, action, and exploitation that succeeds just enough to make you disappointed when it doesnt. Movies On Dvd Bambi II ' title='Movies On Dvd Bambi II ' />Directed by Brian Pimental. With Patrick Stewart, Alexander Gould, Keith Ferguson, Brendon Baerg. The story of Bambi growing up in the care of his father, The Great. Buy Bambi Diamond Edition 1 Bluray Disc, 1 DVD from Amazon. Bluray Packaging Deceptive DVD Packaging New Standard 2Disc DVD available April 19. Discover a range of Disney movies in our DVD and BluRay collection, including Frozen, Peter Pan, Toy Story, Cars and more, available on the Disney Store. Disney DVDs Bluray Compare prices for Cheap Disney DVD Classics Not sure where to buy Disney DVDs or Blurays cheap Well weve compiled a. AARON LOVES ANGELA Drama, 1975, USA, R, 12 4 star rating system Kevin Hooks, Irene Cara, Robert Hooks, Ernestine Jackson, Jose Feliciano, Walt Frazier, Moses Gunn. Buy the DVDBlu rayVHS at Amazon. ActionAdventure, 1. USA, R, Anthony Quinn, Yaphet Kotto, Paul Benjamin, Antonio Fargas, Anthony Franciosa. Directed by Barry Shear. Shop For Cheap Disney Movies On DVD Online, All Series of Classic Disney DVDs Colletcion Hot Sale Now In Discount Price, Original Quality, Fast Delivery. Shrill, violent film about a war between a Harlem gang and the mob. Quinn and Kotto are two cops caught in the middle as they investigate. Only about half a step up from bad blaxploitation mostly because of higher production values and a good performance from Kotto. I/51C6GWcRqCL.jpg' alt='Movies On Dvd Bambi II ' title='Movies On Dvd Bambi II ' />Buy the DVDBlu rayVHS at Amazon. Drama, 1. 97. 0, USA, G,  12. Burt Lancaster, Dean Martin, Jean Seberg, Jacqueline Bisset, George Kennedy, Helen Hayes, Van Heflin, Maureen Stapleton, Lloyd Nolan, Barbara Hale. Directed by George Seaton. A lumpy, slow, but amiable disaster movie about a bomb on board a jet and the secret lives of the jeopardized all star cast, Airport was a hugely popular and, surprisingly, critical success when it opened. Since then, the already dated film has been rendered virtually irrelevant by the sequels, rip offs, and parodies it spawned. Bambi Bluray Anniversary Edition The Signature Collection 1942 Starring Hardie Albright, Stan Alexander and Bobette Audrey. In Disneys spectacularly animated. Find your favorite Disney movies available now or preorder on Bluray disc, DVD, and download to watch any time. Bambi II Movie DVD Details Director Brian Pimental Voice Cast Patrick Stewart The Great Prince, Alexander Gould Bambi, Keith Ferguson Friend Owl, Brendon. It functions best as a sort of Love Boat with intrigue instead of romance, and if Arthur Haileys insipid, simplistic plot bores you, the cast remains entertaining. Best among them is Helen Hayes, who won an Academy Award as a generically feisty old lady, and Maureen Stapleton, who invests a stock role with startling emotional intensity. The sequels were Airport 1. Airport 7. 7 1. Airport 7. The Concorde 1. Buy the DVDBlu rayVHS at Amazon. Drama, 1. 97. 4, USA, PG,  Ellen Burstyn, Kris Kristofferson, Diane Ladd, Jodie Foster, Alfred Lutter, Vic Tayback, Harvey Keitel. Directed by Martin Scorsese. Scorseses searing vision of a woman in search of herself goes from city streets to suburban bleakness to create a unique, bittersweet portrait of a newly widowed wife who decides to hit the road with her smart aleck son and resume the singing career she abandoned for marriage. Its a moving and often funny tale, bolstered by seriocomic vignettes of a woman in pursuit of the American dream. Ellen Burstyn won an Academy Award for her vibrant, multifaceted portrayal of Alice, and country singer Kris Kristofferson gives his most honest performance as her earthy lover. This important movie was the basis for the mediocre television series Alice. Buy the DVDBlu rayVHS at Amazon. HorrorScience Fiction, 1. USA, R,  rooke Shields, Tom Signorelli, Louis Horton, Paula Sheppard, Lillian Roth. Directed by Alfred Sole. This visually intriguing and thematically complex horror film has so much going on that its no wonder the director cant resolve the loose ends. But what a pleasure to see a horror film that has more on its mind than bumping off teenagers. Dealing with the transference of guilt and intense sibling rivalry that affects two generations of sisters, the film probes human emotion with amazing intensity. In its exploration of the influence of the Catholic Church on its members personal lives, saddling them with guilt, the film is uncomfortably on target. When her lovable sister is found burned to death on Communion Day, a jealous sibling is suspected, the shadow of this crime follows her throughout childhood. Cruel and incisive, the film would have been a classic if the false leads had been juggled more persuasively. Communion and Holy Terror Buy the DVDBlu rayVHS at Amazon. HorrorScience Fiction, 1. USA, R,  12. Sigourney Weaver, Tom Skerritt, John Hurt, Yaphet Kotto, Veronica Cartwright, Harry Dean Stanton, Ian Holm. Directed by Ridley Scott. Ridley Scotts moody outer space horror film has an intergalactic garbage truck accidentally picking up an omnivorous, metamorphic monster as cargo. Alien benefits from a fine cast, Scotts high style, and up to the minute special effects by a team that included Carlo E. T. Rambaldi and H. R. Giger. Scotts view of the cosmos as a series of grubby dumping grounds for the refuse of civilization is unusual enough to be refreshing, and Sigourney Weaver, in her film debut, makes a formidable heroine. There are well calculated shrieks and explosions of gore throughout, but as the alien picks off Nostromos crew members one by one, the story underlying this superabundance of technique emerges as a hackneyed old mad slasher plot. Among its greater and more annoying pretensions is an intentionally muffled dialogue soundtrack. Buy the DVDBlu rayVHS at Amazon. Musical, 1. 97. 9, USA, R,  12. Roy Scheider, Jessica Lange, Ann Reinking, Leland Palmer, Cliff Gorman, Ben Vereen. Directed by Bob Fosse. Roy Scheider gives one of his best performances in Fosses lavish, indulgent autobiographical musical drama about a brilliant, pill popping filmmaker in the fast lane. Fosse may have chosen an ugly subject himself but he directed some scenes in a glitzy, colorful style. Most of the dance sequences, which Fosse choreographed, are highly imaginative. The final number is painfully drawn out and unpleasant. Oscars went to the costume design and musical score. Buy the DVDBlu rayVHS at Amazon. Drama, 1. 97. 6, USA, PG,  Robert Redford, Dustin Hoffman, Jason Robards, Jack Warden, Martin Balsam, Hal Holbrook, Jane Alexander. Directed by Alan J. Pakula. 1. 38 min. A courageous attempt to present how Washington Post reporters Carl Bernstein Dustin Hoffman and Bob Woodward Robert Redford uncovered the 1. Watergate scandal that forced Richard Nixon to resign. William Goldmans Oscar winning screenplay, based on Woodward and Bernsteins book, details everything from the actual break in at National Democratic headquarters to Woodwards clandestine meetings with White House source Deep Throat, to the editorial meeting that nearly killed the story, to the final break on the eve of Nixons oath of office. Alan J. Pakula admirably creates a suspenseful detective thriller out of the predetermined story line, and, while the performances especially Best Supporting Actor Jason Robards as Post editor Ben Bradlee are competent and credible, it is the brilliant re creation of the 1. Post newsroom that is most enthralling about the film. A well deserved Oscar went to art director George Jenkins and set decorator George Gaines. Buy the DVDBlu rayVHS at Amazon. Drama, 1. 97. 5, USA, PG, 12. Paul Le Mat, Dianne Hull, Tim Mc. Intire, Leigh French, Robert Carradine, Martine Bartlett. Directed by Floyd Mutrux. Two young lovers flee the Sunset Strip for Mexico when a foolish joke tragically misfires. The film also misfires, failing both to engage our sympathies toward the protagonist and to provoke our anger towards the antagonist. Paul Le Mat and screen newcomer Dianne Hull mechanically portray the hard luck couple, and writer director Mutruxs substitutiosn of chic mise en scne for grainy realism doesnt help matters. Buy the DVDBlu rayVHS at Amazon. Comedy, 1. 97. 3, USA, PG,  12. Ron Howard, Richard Dreyfuss, Cindy Williams, Paul Le Mat, Charles Martin Smith, Candy Clark, Mackenzie Phillips, Harrison Ford, Wolfman Jack, Suzanne Somers. Directed by George Lucas. For this bittersweet nostalgia, George Lucas ransacks his memories of high school graduation night in California circa 1. Featuring greasers, cuddly carhops on roller skates, and that time honored American ritual, cruising. Bambi II DVD Review. In cinema, there is generally a window of at most ten years in which a satisfying sequel can be made to a popular film. If any more time than that passes, the odds are against you. Sometimes, if the tardy sequel adapts to the times and changes focus well enough, things can turn out okay see The Hustler and The Color of Money, as well as, to some degree, the first two The Parent Trap movies, both pairs separated by 2. More often, though, what you end up with is some feeble attempt to recapture the glory of a past era see The Godfather, Part III or Chinatown sequel The Two Jakes, each arriving after a 1. Sixty four years have passed since Bambi opened in theaters, bringing change to just about everything about animated filmmaking. As far as I can tell, this is the largest gap between a movie and its sequel in motion picture history. That makes Bambi, Thumper, Flower, Friend Owl, Faline, and the Great Prince the longest dormant film characters to be reawakened. Disney has been creating direct to video sequels for twelve years, so the fact that we are now getting Bambi II isnt quite as surprising as it could have been. Still, Bambi is the oldest narrative film in the studios canon to be tapped for a follow up, and as one of Walts earliest and most revered masterpieces, Disney should brace themselves for some high expectations and tough critics. If the studio can be so bold as to plaster the title Bambi II on a holographic slipcover holding a movie that only is getting theatrical release overseas, then they have to accept the double edged reality of the situation. On the one hand, they get to market their film on the strengths of a widely adored and indelibly remembered classic. On the other, they have to live up to that classic, which, based on the unsteady but improving track record of Disney. Toon Studios the place that churns out these animated sequels, would seem to set them up for certain disappointment. That Bambi II doesnt leave you ripping out your hair and shouting bad words can qualify it as a success to some degree. The movies biggest problem seems to be that it is. Bambi II and therefore it must aspire to the high artistic levels of the final chapter in Walts most productive and enduring period of cartoon features. Though the filmmakers do seem to have been conscious of this fact and have made considerable efforts to serve their hefty goal, the simplicity and potency of Bambi has unsurprisingly not been recaptured here. Bambi II is actually a midquel, which means its action takes place within the chronology of the first film, in a period we did not previously observe. This movie picks up right after Bambis mother has been shot, which if you remember the first film vividly, did indeed leave a gap that could have been filled before abruptly jumping ahead to the following spring when Bambi and his friends have matured. Starting here makes sense, as there seems to be more storytelling potential in Bambis coming of age than in picking up where Bambi left off. Conveniently enough, it also gives us the more marketable and more identifiable incarnations of the cast. And really, how many sets of pajamas do you see featuring Adult Bambi. The motherless young fawn will need another doe to help raise him, but the Great Prince of the Forest learns that Friend Owl wont be able to find a surrogate mother until spring, leaving the reticent royal to watch over his offspring for the remainder of the winter. This strained fatherson relationship lays the groundwork for the film and sequences like one early on where the un fun dad interrupts Bambis maternal reminiscences to dispatch such advice as leave the past in the past. Things proceed in an episodic fashion just as they did in the original film. When Bambi isnt fumbling to please his father and the Great Prince isnt at a loss to understand his son, the young fawn finds himself in the forest accompanied by plenty of familiar old faces. There are Bambis two best friends, the innocently mischievous bunny rabbit Thumper and the shy skunk Flower, as well as Faline, the only female fawn around who, of course, serves as thoughtful romantic interest to our young hero. Whereas in the last outing, the scenes involving these characters triggered such discoveries as speech, mobility, friendship, and love, the adventures here are far less epic. The gang gathers around a burrow and turns to a groundhog to gauge when spring will arrive. Yes, woodland creatures apparently celebrate Groundhog Day too. They try to overcome a pesky porcupine blocking a log bridge. And they meet a brazen new deer named Ronno, a villain more formulaic and visible than Man who has named his budding antlers. By and large, Bambi II feels like a retread without the emotional strength or obviously the originality. Just about everything from the first film resurfaces here, even if it doesnt really fit. In place of creativity, further elements are borrowed from The Lion King, a film derivative in structure of Bambi. You can be certain that Thumper gets to cite his fathers advice and throw in a little subversion. Likewise, you can bet that Bambis mother makes a haloed appearance at some point. Attempts at modern humor mostly falter, but at least they do not belie the setting by turning the film into something un Bambi like. The two dramatic goals of this story are for Bambi to summon bravery and to connect with his father. Both are treated casually until the end in favor of individual set pieces. Bambi is widely noted as a film with universal appeal and one which adults may even be more apt to appreciate than potentially frightened young viewers. As is usual for a Disney. Toon Studios sequel, Bambi II aims lower, primarily seeking to please kids who might not yet be old enough to handle the DVD remote control on their own. Thank you, Fast. Play The difference in tone is not as drastic as, say, Tarzan versus Tarzan II, and open minded adults may indeed find some things to like, if out of nothing more than its callbacks to its predecessor. But whereas Bambi may have been overly cute in places, Bambi II seems cute for cutenesss sake and accordingly, it does not convey things as well, for those either in or out of its target demographic. This sequel scores a few points for one mildly cleverharrowing sequence in its first half and a few jokes which are funnier if you know the original well. Bambis shortage of words has given in to an abundance of dialogue here, ensuring that there are few blanks left for audiences to fill in. The voice cast does not necessarily demand more lines, either. Patrick Stewarts performance as the Great Prince is very one note, a note which wavers between grouchiness and pomposity, fairly consistent to the hardly seen character in the original film. Brendon Baerg, who can receive some slack for being about five when the voice was recorded, does make Thumper annoying at times, as opposed to his previous air of aw shucks cuteness. In the title role, Alexander Gould performs admirably enough, inserting youthful curiosity into this role much as he did for his previous voicing of Finding Nemos Nemo. The original Bambi advanced animation to an unprecedented degree of realism. The same cannot be said for Bambi II. The animation style of the original is not emulated particularly well, despite that apparently being the goal. The visuals depicting the forest settings are convincing and quite impressive, much in the vein of the originals look. Character animation, fine though it may be, is clearly on a direct to video feature budget. The prevailing sterile look clashes with the undoubtedly man made and yet more realistic animation of the original film. Computer generated imagery CGI has been liberally implemented to aid the traditionally animated world of Bambi II in most instances, this stands out to some degree.

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